MD [Member Since: November 08 '07]
I’m a light fan of comics. I tend to stick to web, although I do enjoy printed. Alan Moore is a genius and my favorite hero is Batman. I love the very serious to the very quirky. I can’t quite remember what the first comic I ever read was, but it had to be either Batman or X-Men, being that those two have carved the strongest mark on my otherwise inconsequential childhood.
Other than that, I’m an engineer by training, writer by hobby, and social vagrant by reputation. Everything else is uninteresting.
Oh, and I have a blag.
Matt already said most of the good things about this comic below, so I'll let his words stand. Just pretend I said those things, except not quite as well.
I do want to comment about the $1.99 price point. Ellis crams a lot into these comics. Each issue is a complete story which you can pick up at any point. Grab the latest one and you won't feel lost at all. I applaud that they can pack a full story into such a short comic, each page stuffed to capacity with art and writing. And they want it to be cheap. That's their point. They think comics are too expensive and want people to afford these easily, and to keep each issue self-contained.
The only reason to read all the issues is that each story is a brush stroke in the painting of Snowtown, and the more you read, the clearer the picture becomes. It's like slowly stepping backwards from a Seurat.
I do want to comment about the $1.99 price point. Ellis crams a lot into these comics. Each issue is a complete story which you can pick up at any point. Grab the latest one and you won't feel lost at all. I applaud that they can pack a full story into such a short comic, each page stuffed to capacity with art and writing. And they want it to be cheap. That's their point. They think comics are too expensive and want people to afford these easily, and to keep each issue self-contained.
The only reason to read all the issues is that each story is a brush stroke in the painting of Snowtown, and the more you read, the clearer the picture becomes. It's like slowly stepping backwards from a Seurat.
I was sitting in a used bookstore in Mountain View, CA, perusing the graphic novels when I stumbled on this title. I'm a fan of science, and the title intrigued me. Flipping to the middle just to get a gander at the art, I saw steampunk-inspired renderings and creatures that were a subtle nod to Lovecraft. When I saw Mark Twain screaming "SHOWMANSHIP!" I knew I had to read it.
By the end, I found myself wanting to hunt down everything Matt Fraction has ever written, ever. This book was absolutely incredible, everything I wanted it to be.
By the end, I found myself wanting to hunt down everything Matt Fraction has ever written, ever. This book was absolutely incredible, everything I wanted it to be.
Being a sucker for post-apocalypses, scifi, and shiny things, this seemed like something I might enjoy trying. Unfortunately, the first issue really gives you nothing to bite into and make you want to keep reading. It lacks that 'hook' that it might have had if it had chosen to double the length. Showing me some mysterious character isn't really going to make me want to see more. That sort of gimmick only flies the first few times you've seen it. It's not that it's bad, it's just not good. Not gripping. Doesn't leave me wanting more.
Probably not going to pick up the rest.
Probably not going to pick up the rest.













